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・ Piano Concerto (Somervell)
・ Piano Concerto (Tan Dun)
・ Piano Concerto (Tippett)
・ Piano Concerto (Vaughan Williams)
・ Piano Concerto (Yashiro)
・ Piano Concerto for the Left Hand (Korngold)
・ Piano Concerto for the Left Hand (Ravel)
・ Piano Concerto in F
・ Piano Concerto in F major
・ Piano Concerto in F minor
・ Piano Concerto No. 0 (Beethoven)
・ Piano Concerto No. 1
・ Piano Concerto No. 1 (Bartók)
・ Piano Concerto No. 1 (Beethoven)
・ Piano Concerto No. 1 (Brahms)
Piano Concerto No. 1 (Chopin)
・ Piano Concerto No. 1 (Glazunov)
・ Piano Concerto No. 1 (Kabalevsky)
・ Piano Concerto No. 1 (Lehnhoff)
・ Piano Concerto No. 1 (Liszt)
・ Piano Concerto No. 1 (Mendelssohn)
・ Piano Concerto No. 1 (Prokofiev)
・ Piano Concerto No. 1 (Rachmaninoff)
・ Piano Concerto No. 1 (Rubinstein)
・ Piano Concerto No. 1 (Saint-Saëns)
・ Piano Concerto No. 1 (Shostakovich)
・ Piano Concerto No. 1 (Tchaikovsky)
・ Piano Concerto No. 10 (Mozart)
・ Piano Concerto No. 11 (Mozart)
・ Piano Concerto No. 12 (Mozart)


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Piano Concerto No. 1 (Chopin) : ウィキペディア英語版
Piano Concerto No. 1 (Chopin)

The Piano Concerto No. 1 in E minor, Op. 11, is a piano concerto written by Frédéric Chopin in 1830. It was first performed on 11 October of that year, in Warsaw, with the composer as soloist, during one of his "farewell" concerts before leaving Poland.
It was the first of Chopin's two piano concerto to be published, and was therefore given the designation of Piano Concerto "No. 1" at the time of publication, even though it was actually written immediately after what was later published as Piano Concerto No. 2. It is dedicated to Friedrich Kalkbrenner.
The concerto is scored for solo piano, pairs of flutes, oboes, clarinets, and bassoons, 4 horns, 2 trumpets, tenor trombone, timpani and strings.
== Structure ==

It contains the three movements typical of instrumental concertos of the period:
# ''Allegro maestoso''
# ''Romanze – Larghetto'' in E major
# ''Rondo – Vivace'' in E major
Opinions of the concerto differ. Some critics feel that the orchestral support as written is dry and uninteresting. Others feel that the orchestral backing is carefully and deliberately written to fit in with the sound of the piano, and that the simplicity of arrangement is in deliberate contrast to the complexity of the harmony.
Both the first and second movements feature unusual modulations; in the opening Allegro, the exposition modulates to the parallel major, i-I, instead of the expected i-III. This tonal relation (i-III) between the second and the third theme finally occurs in the recapitulation, where an actual i-I modulation would have been expected, producing a different effect. The Romanze, although not strictly in sonata form, has its second theme of the exposition ascribe to the classical model of modulating to the dominant (I-V), and, when it returns, it modulates to the mediant (III). The third movement features Krakowiak rhythms.
Mily Balakirev re-orchestrated the concerto (using the same orchestral forces as Chopin employed, though with cor anglais instead of second oboe), and also wrote arrangements for violin and orchestra as well as for piano solo of the second movement. Balakirev's version was premiered at a concert on 9/22 February 1910 celebrating the centenary of Chopin's birth, at the Free School of Music in Saint Petersburg, by Josef Hofmann with an orchestra conducted by Sergei Lyapunov.〔(Note in score of Balakirev's re-orchestration ). Retrieved 15 July 2015〕

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